Sontar-HA!

The Sontaran two-parter from this Doctor Who series really pleased me. Lots of fun things happened, the production design of the alien battlesuits and technology looked great, and we got a somewhat more mature Martha Jones back for a couple of episodes. There were a few rough pacing moments - as if the script worked out about 10 minutes short overall - but nothing fatal.

Donna remains an excellent foil for the Doctor, freaking out in fear one moment and standing up to him the next. It's a lot of fun having grownups aboard the TARDIS, and even when Donna must leave, I hope they consider continuing the trend. At no point did the episode get stupid (well, there's an atmosphere bit near the end which is a little brow-raising, but not too bad), and UNIT gets to show that, in the 21st century, they're actually good for something.

I'd put in a request, if I could, for the Beeb to fund some more space episodes, as Earth is getting invaded now every month on the first Wednesday. It's like paying bills - "Let's see, cable, electric, water, and oh yes, alien invasion due tomorrow. Must call in sick to work."

Everyone caught the face that shows for a split second on the TARDIS console screen, right?

( We're picking up spoilers on scan... )

So yes, I'm a happy Whovian today.

But can she run Linux?

After starting the series 6 years ago, I finally picked up the last two volumes and have finished reading the Chobits comic. I liked it a lot, and I'm glad I gritted my teeth to read eight graphic novels backwards. (I usually take in an entire comic page in a glance or two, and reading unflipped manga for me is a bit like taking your car up to 55 mph in second gear. You can do it, but it's not comfortable.)

Y'know, only the Japanese could combine 1) a serious examination of computer emotion and sentience, and 2) innocent, adorable robot girls running around unself-consciously in mildly fetishy outfits. It kept confusing me, because between the clothing choices and the male lead's humorous over-reactions to every situation, I wasn't sure I was meant to be taking this seriously, but then the authors would drop back into the real distress experienced by several characters because of the difficult emotional situations they faced.

The ending doesn't contain any real surprises, but the purpose of this tale is the journey, not the destination, and the last book makes sense of several points that I'd expected to be conveniently forgotten. I no longer trust 21st century creators to do this, so it's a welcome change to be able to believe "we were planning this all along" for once.

In completely unrelated news, Midori has found the basket of laundry that I've just pulled from the dryer, and is at this moment the happiest sleeping cat in Portsmouth.